These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" This attempt at gayety was futile; the silence with which, for a minute, her adversary greeted her troubled plea brought home to her afresh that she was on the bare defensive. "Is it a part of his kindness never to come near you?" Mrs. Gereth inquired at last. "Is it a part of his kindness to leave you without an inkling of where he is?" She rose again from where Fleda had kept her down; she seemed to tower there in the majesty of her gathered wrong. "Is it a part of his kindness that, after I've toiled as I've done for six days, and with my own weak hands, which I haven't spared, to denude myself, in your interest, to that point that I've nothing left, as I may say, but what I have on my back—is it a part of his kindness that you're not even able to produce him for me?"!

Mrs. Gereth shrugged her shoulders. "Oh, how in the world can you fancy?" She spoke in a shocked tone.

"Precisely. Yours." Mrs. Gereth slowly rose at this and, coming across the walk, took her young friend in her arms and kissed her. She then passed into one of Fleda's an arm perversely and imperiously sociable. "Let us move a little," she said, holding her close and giving a slight shiver. They strolled along the terrace, and she brought out another question. "He was eloquent, then, poor dear—he poured forth the story of his wrongs?" "If there were more there would be too many to convey the impression in which half the beauty resides—the impression, somehow, of something dreamed and missed, something reduced, relinquished, resigned: the poetry, as it were, of something sensibly gone." Fleda ingeniously and triumphantly worked it out. "Ah, there's something here that will never be in the inventory!"